Noisy Pittas: Jewels of the Rainforest Floor

Noisy Pittas: Jewels of the Rainforest Floor

Noisy Pitta with chicks

Noisy Pitta Pitta versicolor, sometimes known as the Jewel Thrush or Anvil Bird. The Latin versicolor refers to the various colours of the bird’s plumage.

‘WALK TO WORK, walk to work’ – this was the unmistakable call of an adult Noisy Pitta Pitta versicolor as it flew towards its nest at the base of a Black Booyong tree. In response, two small heads appeared from the nest entrance. Shortly afterwards, one of the chicks summoned up the courage to leave the warmth and security of the nest and venture into the open…

By now, both parents had arrived and were fussing excitedly over the chick. This prompted the second chick to follow suit. The chicks seemed totally bewildered by all this attention, with both parents circling nervously as if to protect their offspring from the dangers of the ‘real’ world outside. Within minutes the parent birds disappeared, only to return a short while later, beaks brimming with tasty morsels.

Seeing the chicks fledge at such close range was a memorable moment, made possible by the camouflaged hide I was sitting in. Although living and working in southeast Queensland’s Lamington National Park had given me other opportunities to witness the Noisy Pitta’s nesting habits, I had never before been able to observe the birds or record their behaviour so minutely. The hide also enabled me to photograph the Pittas without disturbing them.

Distribution and habitat

Of the three Australian Pittas (Red-bellied, Rainbow and Noisy), the Noisy has by far the widest distribution, ranging from the Torres Strait Islands in the north to the Hunter Region (NSW) in the south. Mostly found east of the Great Dividing Range, Noisy Pittas seem to be well established in southeast Queensland and northern New South Wales. Over the years, I have spotted them at various locations, including Noosa National Park and Brisbane State Forest (Qld), Border Ranges National Park and Mt Warning National Park (northern NSW).

Fortunately, the Noisy Pitta is not currently under any threat in any part of its range. However, in some areas, the bird’s habitat has been partially affected by land clearance for agriculture and urbanisation, as well as the proliferation of feral cats.

In Lamington National Park, two hours south of Brisbane, the Noisy Pitta’s population is quite steady. Lamington was the third national park to be declared in Australia, in July 1915. This stunning park has the distinction of containing the largest remnant of sub-tropical rainforest in Australia. Covering some 20,500 ha, Lamington also incorporates eucalyptus and beech (Nothofagus) forests as well as wet and dry sclerophyll forests. The sheer diversity of fauna and flora, some of which are exceptionally rare and unique to the area, led to Lamington National Park being listed as a World Heritage Site in 1983.

Antarctic Beech Nothofagus moorei, Lamington National Park. With its vast area of undisturbed, old-growth rainforest, heavy rainfall and rich volcanic soils, Lamington provides ideal habitat for the Noisy Pitta.

Antarctic Beech Nothofagus moorei, Lamington National Park. With its vast area of undisturbed, old-growth rainforest, heavy rainfall and rich volcanic soils, Lamington provides ideal habitat for the Noisy Pitta.

With an annual rainfall of 2–3 metres, rich volcanic soil and a large area of undisturbed old-growth forest, Lamington allows the Noisy Pitta to thrive and breed undisturbed. Being mostly ground dwellers, the Pittas spend their days foraging through the moist, decomposing leaf litter of the rainforest floor in search of the many insects found there. Rather than walking or running, they tend to hop along the ground.

At an altitude of 920 metres, Lamington National Park becomes quite cool from the middle of autumn to early spring. My observations have shown that during this period, the majority of Noisy Pittas migrate to lower altitudes, seeking a warmer climate. They tend to leave around April, returning approximately October. There are, however – as always – exceptions to this rule: some individuals will brave the cold during the winter months.

Nest building and breeding

In southeast Queensland, Noisy Pittas may breed from October to February, though mostly November to January. Here in Lamington National Park, their favourite nest sites are the bases of buttress-rooted trees: White Booyong, Black Booyong, Mararie and Green-Leafed Moreton Bay Figs. Quite cleverly, the nest will always be situated on the downhill side of the buttress to prevent it from washing away after excessive downpours.

The pair of Pittas I observed shared nest-building duties, both birds working diligently. Sticks and leaves were used to compose the dome-like structure, which was woven together with thin pieces of grass. Once the nest was complete, the pair lined it with copious amounts of moss and lichen. A distinctive feature was the platform-like structure leading to the nest entrance.

Apart from nest-building duties, both birds shared incubation duties. Three eggs were laid, two of which later hatched (Noisy Pittas generally lay three to four eggs). Incubation started after the third and final egg was laid, with incubation lasting 15 days.

Noisy Pittas are diligent feeders of their chicks – something I experienced while watching this particular pair flying back and forth continuously to the nest, sharing chick-feeding equally.

Feeding the chicks. How can one chick physically digest so many insects, so often, in such a short time!

Feeding the chicks. How can one chick physically digest so many insects, so often, in such a short time!

It’s hard to imagine how a small chick can physically digest so many insects so often in such a short time! From the moment they hatched, these chicks were crammed full of insects, including caterpillars, worms, centipedes, spiders and even flesh extracted from the Giant Panda Snail. As the chicks grew older, the quantity of insects increased dramatically, though the frequency between feeds decreased significantly.

After feeding a chick, the parent bird waited patiently until the chick released a faecal sac. The parent then took the sac in its bill and proceeded to fly a fair distance from the nest to dispose of it. The theory behind this behaviour is that it prevents odours from building up within the nest, thus detracting predators such as Green Catbirds, Carpet Pythons or Dingoes.

For most of the time, the parent birds used exactly the same flight path, close to the ground, and landed on the same perch before entering the nest, being quite systematic in their approach. On a few occasions when I approached too close to the fledged chicks, one of the adult Pittas gave a loud ‘keow’ call, thought to be a warning or alarm call. The adult would try and distract me away from its offspring by flying quite close to me, then feigning injury. It would drop its wing to the ground, while the second parent would try and call the chick with a series of frequent, low-volume calls from a distance.

Observing Noisy Pittas

In my experience, Noisy Pittas are generally shy, wary and quite elusive at times, despite their brilliantly coloured plumage. When searching for the Pitta, it’s best to start by listening for its distinctive two-note call – thought to be used mainly to attract a mate as well as being territorial, particularly during the breeding season. This call can be heard throughout the day, especially at dawn, but also just after dark.

Apart from their call, another sign of the Pitta’s presence is the discovery of discarded rainforest snail shells (i.e. Giant Panda Snail) near a rock. This rock is commonly referred to as an ‘anvil’ due to the Pitta’s habit of repeatedly bashing snails against it in order to extract the prize within. Often, whole shells will be seen lying intact near the anvil, with only the centre smashed open. Once an anvil is established, the Noisy Pitta will commonly return to it to crack open its snail shells.

Even though Noisy Pittas are mostly found foraging amongst the leaf litter, they will roost high in trees at night so as to avoid predators.

With its strikingly coloured plumage, engaging mannerisms and elusive nature, the Noisy Pitta is a favourite among birders, including myself. Regularly I walk the numerous trails of Lamington National Park as a Guide, birders in tow, looking for the rainforest’s countless fascinating birds. When I hear my friend the Pitta’s distant ‘Walk-to-work’ call echoing at me, I can’t help but smile at the irony – I am walking to work!

If you are interested in learning more about how to photograph birds in Lamington National Park from experienced nature photographer Michael Snedic, you might like to join his next bird photography workshop at Lamington National Park.

First published in Wingspan Magazine.

If you have a passion for African wildlife, nature or travel photography and would love to go on a specialised small-number, professional African photo safari, please get in touch with Michael Snedic at WildNature Photo Expeditions. You can call him on 0408 941 965 or fill in this Contact Form and he will get back to you ASAP.

5 Day Freycinet Photography Adventure – Tasmania

Wineglass Bay Freycinet N.P. - Tasmania

TBA

 

About the Workshop and Tour

This new photography workshop incorporates the best that the Freycinet region on the east coast of Tasmania has to offer. From the moment you are picked up at your accommodation in Hobart until you are dropped off at the end of the workshop, everything is covered. Michael has scouted the best possible locations and subjects, so that you will come back with lots of photos and great memories!

Freycinet_2

Locations

Freycinet Coast - East Coast Tasmania

Dates

TBA

Price

TBA

 

Please note: WildNature Photo Expeditions will endeavour to find someone to share with you, from the photography group. If no one is available to share, then a single supplement will be added and you will have your own room.

 

Tutor

Professional photographer and tutor, Michael Snedic

Leaping dolphin

Contact Michael Snedic directly
on +61 408 941 965

Meeting Point

Hobart hotel pick up and drop off included from Graham Apartments, New Town, Hobart. Participants will need to book a night's accommodation at the Graham Apartments for the 8th of May 2025 (the night before the workshop starts).

Accommodation

 4 nights at 'Bicheno By The Bay'

Transport

All transport (bus) within Tasmania is included, starting and finishing at Graham Apartments, New Town, Hobart.

Oyster Catcher

Photography Level

There is no “minimum level” required regarding photographic ability. Beginners and highly experienced shooters alike are all very welcome to join us. You will receive plenty of individual one-on-one time that will be geared towards your own personal skill levels and needs.

Bay of Fires - Tasmania

Inclusions

  • Accommodation at Bicheno By The Bay (4 nights, twin share – a single occupancy surcharge will apply)
  • Transport during the workshop in a 12 seater bus
  • All meals (except where indicated)
  • National Parks entry fees and permits
  • Full day Wineglass Bay Cruise
  • Photography tuition by Michael Snedic

Exclusions

  • Accommodation in Hobart, the night before the workshop
  • Transport to/from Tasmania & all associated expenses
  • Hotel “in-room” expenses
  • Other personal expenses such as alcoholic beverages with meals.
  • Lunch on the last day of the workshop

Freycinet

Your Tutor: Michael Snedic

Michael Snedic, Professional Photographer and Proprietor of WildNature Photo Expeditions, has been passionate about the natural world since he was very young and has now been photographing wildlife and nature for twenty seven years. He is one of Australia’s most accomplished and published nature photographers, his images having won numerous awards. Michael’s images have been published across Australia and the world, in hundreds of publications. He has also written many dozens of magazine articles on nature/photography since 2001, including Australian GeographicWildlife AustraliaBirdlife Australia, the UK’s BBC Wildlife and Australian Photography (Australia’s largest-selling photography magazine) which he has been a feature writer for since 2006.

Michael is honoured to be a Nikon School tutor as well as nature photography competition judge. Judging includes The Nature Conservancy Australia’s Photo Competition Ambassador and judge  (2015, 2016 and 2017), Australia Birdlife Photography Awards (2022 and 2023) and well as international competition WildArt Photographer of the Year (2023) and Nature TTL Photographer of the Year (2024)

Michael in the Sub Antarctic

Itinerary

Day 1

This morning, you will be picked up from the Graham Apartments in New Town, Hobart. We will head to Bicheno for lunch, then to our accommodation at Bicheno By the Bay. You will have time for some to unpack and settle in, before we start our first session on camera settings. Later in the afternoon we will spend time photographing at Bicheno Beach.

Aurora Australis - Coles Bay - Tasmania

Day 2

This morning, we will head to Coles Bay at Freycinet and jump onboard for a half day cruise with on and around Wineglass Bay, with Wineglass Bay Cruises. This will be not only a chance to shoot sea life such as leaping dolphins, seals and soaring sea eagles, but also just to sit back and enjoy one of Tasmania’s iconic locations from a vantage point that most people don’t get. The cruise includes a tasty lunch with mostly local produce. In the afternoon, we will head to the Bicheno Beach for a sunset shoot.

Wineglass Bay Cruise

Day 3

This morning we start with a sunrise shoot at the Bicheno Blowhole, followed by breakfast. After breakfast, it's a hike up to the platform overlooking stunning Winegalss Bay, for some incredible landscape photography. After a late lunch, there's some free time.

Day 4

After breakfast, we head to Cape Tourville and view the coastline from high up, followed by a visit to two photogenic spots, Honeymoon Bay and Sleepy Bay. From there, we will explore the Freycinet Coast and photograph whatever takes our fancy! After lunch, Michael will present an image critique session.
In the late afternoon, we will venture out to Coles Bay, overlooking the iconic Hazard Mountains, for our final seascape and sunset session.

Day 5

Another sunrise shoot, this time at the Bicheno Blowhole, as well as some other local landscape spots.
After breakfast and checking out, we will drive to Hobart, arriving at approximately midday.

Aurora Australis - Coles Bay - Tasmania

Highlights include:

  • Wineglass Bay Boat Cruse
  • Friendly Beaches
  • Cape Tourville Lighthouse
  • Sandy Beach
  • Honeymoon Bay
  • Coles Bay
  • Wineglass Bay lookout
  • Bicheno Blowhole

pacific gull

Bookings and Contact:

To reserve your place or just to ask more questions about this photo expedition, please contact Michael either via his CONTACT FORM or by calling +61 408 941 965.

Your position on the tour will be guaranteed immediately upon payment of non-refundable deposit of AU$900.00 (plus GST) The balance will be due up to 90 days prior to the start of the workshop. 

Cancellation Policy:

Cancellation up to 90 days before departure - deposit forfeited. Cancellation between 90 and 60 days before departure - 50% of total workshop price forfeited. Cancellation less than 60 days before departure or during tour, no refund available.

How To Photograph Birds in Lamington National Park (Green Mountains section)

How To Photograph Birds in Lamington National Park (Green Mountains section)

Eastern Spinebill

World Heritage Listed Lamington National Park, in Queensland, Australia, is an approximate two-hour drive from Brisbane or a one-hour fifteen-minute drive from the Gold Coast. Habitats within the park vary from subtropical and remnant rainforest, ancient Antarctic Beech forest, as well as some sclerophyll and eucalyptus forests. The variety of bird species, therefore, is quite numerous. Many of the birds are used to the presence of people, so they can often be photographed at close range. There are around 245 or so species of birds found within the park, so it is easy to see why so many bird photographers travel there with their cameras from across Australia and the world and why I run my bird photography workshop in Lamington National Park.

Where To Find Different Bird Species in Lamington National Park

Ground Dwelling Birds

It is a good idea to pick up a track map of the national park from the local Parks and Wildlife Service office and familiarise yourself with the different tracks within Lamington National Park. Once you choose a track, I suggest spending a bit of time there, letting the birds get used to you being there. The Border track, which has its starts right across the road from O’Reilly’s Rainforest Retreat entrance, is a perfect place to begin. Here you will find a number of ground-dwelling birds, including the Bassian and Russet-tailed Thrush, Australian Logrunners and the elusive Whipbird. These birds spend most of their time on the ground, searching for food and interacting with each other. By keeping still and silent, you will be surprised how close the birds will come to you.

Two ground-dwelling species which are high on the list for bird photographers to try and photograph in Lamington N.P. are the Albert’s Lyrebird and the Noisy Pitta. The Albert’s Lyrebird is only found within an approximate 100-kilometre radius of the park. There are none in captivity, and they aren’t found anywhere else in the world. The males of the species, once they mature, produce an incredible array of sounds. They are quite proficient at mimicking many of the different bird species in their territory and do so with amazing accuracy. By walking along the boardwalk that takes you towards the tree-top walk, you will sometimes see a lyrebird scratching the leaf litter, searching for insects. This is the time to take a few shots – while the bird is ‘preoccupied’.

The second species mentioned, the Noisy Pitta, is one of the most beautifully-coloured birds in Lamington National Park. They hop along the ground and are rarely seen flying. They will often land on the large buttress roots of trees, making for a perfect background. Their call is quite distinct – it sounds like ‘walk to work’ but in a high pitch, which they repeat over and over.

Identifying Birds in Lamington National Park

It can be quite daunting to turn up to a new area such as Lamington National Park and to know where to find birds. I recommend photographers purchase one of a number of Australian bird identification Apps that are available for download. Personally, I am a fan of ‘Michael Morecombe’s Birds of Australia (iOS / Android)’. This app has every Australian bird featured as paintings (male, female and juvenile), the regions where they are found, the nest and eggs, as well as the various calls each species of bird makes. I wouldn’t be without it!

Best Way To Photograph Birds in Lamington National Park

Monopod or Tree

Quite a number of the birds in Lamington National Park can be seen around the edges of the rainforest or along the rainforest tracks. Some of these tracks include the Border, Elabana Falls, Python Rock, and Moran’s Falls tracks. As it can be relatively dark in these areas, the issue you may encounter is your camera’s shutter speed will be too low. Sure, you can raise your camera’s ISO to a much higher setting, but that inevitably leads to images with too much noise. What I have been recommending to my photography workshop participants for many years is to look at how you can stabilise your camera and lens in low-light situations. I am quite a fan of using a monopod and specifically designed monopod head to help minimise movement that is caused by hand-holding a camera with a larger lens in low-light environments. The monopod allows you to swivel your camera and lens around from left to right (or vice versa), while the monopod head allows you to swivel the camera and lens back and forth. If you don’t own a monopod and are out and about shooting, you can also rest your lens against one of the many trees that grow along the various tracks within the park. This alone will greatly reduce any camera shake.

Suggested Metering For Rainforest Bird Photography

If it’s overcast and you are in a rainforest such as Lamington N.P., I suggest using Evaluative Metering (for Canon users), Matrix Metering (for Nikon users) and Multi-pattern or Multi-segment Metering for all other brands. This metering is recommended as your ‘general’ metering for bird photography, especially in overcast rainforest conditions. If, however, there is bright light behind the bird, Spot Metering (all brands) is recommended. By using Spot Metering, you are metering on the bird itself rather than the whole scene, therefore greatly reducing the chance of the bird ending up as a silhouette.

Practice Your Bird In Flight Techniques

Once a day, O’Reilly’s Rainforest Retreat (situated within Lamington National Park) offers a ‘Free Flight Bird Show’. With a backdrop of trees, a stunning valley below and photogenic mountains in the distance, you have an incredibly beautiful backdrop to shoot the birds against! Some of the birds on display in the show include the Barn and Barking Owl, Nankeen Kestrel, Black Kite and Wedge-tailed Eagle. Being such a large and fairly slow-flying bird, the Wedge-tailed Eagle (for example) is the perfect species to practise your birds-in-flight techniques. By using the Continuous Focus setting on your camera, coupled with burst shutter mode, your chances of success in capturing that split-second moment are much greater. Species such as the Barn and Barking Owl will happily sit in one spot, so you have plenty of time to properly compose your image and adjust your camera’s exposure settings.

Best Time To Visit

The best time to visit Lamington National Park for optimum bird photography opportunities is spring (September, October, November here in Australia). There is so much activity going on – birds are calling for mates, displaying regularly or raising chicks. It is no wonder that this park is one of my favourite places to visit in Australia for bird photography. Other times of the year are quite decent for photographing birds, but it’s spring where you will find the most number of birds.

Other Species To Look Out For

Satin and Regent Bowerbirds

Both of these stunning birds frequent the area in front of reception at O’Reilly’s Rainforest Retreat. The males take approximately 6-7 years to colour up, and once they do, their plumage is quite striking! The native grevilleas that grow on either side of the reception entrance are favourite ‘landing sites’ for the bowerbirds. This means you are close to eye level with the birds and it makes for the perfect angle to photograph them. As there is a building where the birds land, care needs to be taken to not to include this distraction in your photo. By simply moving a metre or two to the left or right, you can end up with foliage in the background, that makes for a much more pleasing image.

Eastern Spinebills

While you are our front of the reception area photographing the Satin and Regent Bowerbirds, you will regularly see the Eastern Spinebill hovering like a Hummingbird, feeding on the nectar of the native grevillea bushes. You need to make sure you use a shutter speed of at least 2000th of a second (or higher) especially if you wish to ‘freeze’ the Eastern Spinebill’s wings while it is hovering over the flowers.

Eastern Yellow Robins

The Eastern Yellow Robin is a common bird in Lamington N.P. and can be easily photographed along the various tracks within Lamington National Park, including the Border track, Python Rock track as well as around O’Reillty’s Retreat. The key thing to look out for with these birds is that they will regularly land vertically on the side of a tree, rather than horizontally on a branch. By turning your camera to portrait, you should be able to get some decent images of these birds, often with a blurred-out background.

If you have a passion for African wildlife, nature or travel photography and would love to go on a specialised small-number, professional African photo safari, please get in touch with Michael Snedic at WildNature Photo Expeditions. You can call him on 0408 941 965 or fill in this Contact Form and he will get back to you ASAP.

Ropse Robin

The Pros and Cons of Choosing a Wildlife Photography Lens

The Pros and Cons of Choosing a Wildlife Photography Lens

Michael with friend

 

Over the last 20 years of presenting photography workshops, I have been asked many, many times to this same question: ‘What is the best lens for wildlife photography?’. This question has come from total beginners to more experienced photographers, looking to upgrade lenses. Below, I have itemised what things to consider before you start shopping for a new wildlife photography lens.

  • What is your budget?
  • Are you able to physically hold the lens due to its weight?
  • Does the lens cause ‘shake’ when you hold it?
  • How big in size is the lens?
  • Are you after a fixed focal length lens or a zoom?
  • What is the minimum aperture the lens goes to when zoomed out fully?

 

Budget

This obviously has a bearing on what you can buy. If you can afford it, I recommend you always pay a bit more for a lens that’s sharper and is quicker to focus on moving wildlife. If you are on a budget, do your research and look carefully at the lenses in your price range and look carefully at the specifications.

 

Weight

I recommend you look up the weight of a particular lens you are looking at possibly buying. If possible, try and visit an actual photographic store that has the lens in stock and physically pick it up, attached to your camera. You will instantly know if the lens is too heavy for you.

 

Shake

When picking up the lens (or lenses) you are looking at possibly buying, hold the camera/lens combo up to your eye for a few minutes and see if you get the ‘shakes’. If so, it maybe too heavy although there are a few things you can do to stabilise the heavy camera/lens combo.You can use a tripod and gimbal, a monopod with a monopod head or even use a photographer’s beanbag in certain circumstances.

 

Size

Is the lens too big to fit in your camera bag? This point is important to remember.

 

Fixed focal length or zoom (plus what is the minimum aperture when zoomed out?)

A fixed focal length lens such as a 300mm f2.8, 400mm f2.8, 500mm f4 or 600mm f4 are very sharp and extremely fast to focus. Many pro wildlife photographers own fixed focal length lenses. The thing is, they are way more expensive, usually much heavier and you can’t zoom in or our to compose your shot. You can sometimes physically move but in many cases, such as photographing wildlife from a safari vehicle in Africa or shooting from a zodiac in Antarctica, you can’t always move and may even be too close! Also, the wider focal length allows more light in, which makes it easier to hand hold due to the faster shutter speed.

A zoom lens, however, is usually lighter to hold, cheaper in price and you can zoom in or out, but they are generally not as sharp as a fixed focal length lens. They may also be slower to focus on a moving animal and some lenses only open up to f6.3 or f7.1 at the longest focal length. If you are photographing birds, using one example, in a low light rainforest then smaller (in size) minimum apertures can let you down. You will potentially need to increase your ISO excessively high, which in turn creates too much noise in your image.

Giving you names and models of specific lenses is too tricky, as it depends on what brand of camera you own, whether its a mirrorless, four thirds or digital SLR, what your budget is and what your physical capabilities are. What I hope you take from this article is to read through the pros and cons and whittle it down to a few lenses, then do thorough research on those lenses.

Best of luck researching : – ))

If you have a passion for African wildlife, nature or travel photography and would love to go on a specialised small-number, professional African photo safari, please get in touch with Michael Snedic at WildNature Photo Expeditions. You can call him on 0408 941 965 or fill in this Contact Form and he will get back to you ASAP.

Best Wildlife Photography Locations in Australia: Lamington National Park – Queensland

Best Wildlife Photography Locations in Australia: Lamington National Park – Queensland

Regent Bowerbird

A two-hour drive from Brisbane or a one-hour fifteen-minute drive from the Gold Coast, Lamington National Park is World Heritage listed for good reason. Habitats vary from subtropical and remnant rainforests, ancient Antarctic Beech forests, sclerophyll and eucalyptus forest. The variety of wildlife species, therefore, is incredibly varied. Birds and other wildlife are used to visitors, so they can also often be photographed at close range. Some of the species of birds that frequent the Lamington National Park include the rare Albert’s Lyrebird, the Regent and Satin Bowerbird, the Noisy Pitta and the Eastern Spinebill (amongst 245 or so species of birds found in Lamington National Park). Mammal species include the cute macropod called the Red-necked Pademelon, which often frequents the visitor areas, as well as the nocturnal Brush-tailed and Ring-tailed possums which are regular visitors. Two of the many reptile species that can be seen and photographed include the Leaf-tailed Gecko and the pure black Land Mullet, Australia’s largest skink.

Wildlife photography in Lamington National Park is quite easy, as there are plenty of walking tracks where many of the wildlife frequent, so with such an abundance of wildlife that is readily accessible – though admittedly some do require patience – it is one of the best locations in Australia for wildlife photography, regardless of your skill level.

If you have a passion for African wildlife, nature or travel photography and would love to go on a specialised small-number, professional African photo safari, please get in touch with Michael Snedic at WildNature Photo Expeditions. You can call him on 0408 941 965 or fill in this Contact Form and he will get back to you ASAP.

Would you like a FREE copy of my new Ebook?

Download Button

ebook The Art of Wildlife Photography by Michael Snedic July 2026 cover

You have Successfully Subscribed!